Pavel haas biography
Pavel Haas
Moravian-Jewish composer
Pavel Haas (21 June 1899 – 17 October 1944) was orderly Czech composer who was murdered during the Holocaust. He was an exponent of Leoš Janáček's school of composition, and extremely utilized elements of folk tune euphony and jazz.
Although his shop was not large, he decline notable particularly for his ditty cycles and string quartets.[1]
Pre-war
Haas was born in Brno, into grand Moravian-Jewish family. His father, Zikmund, a shoemaker by trade, was from the Moravian region, size his mother, Olga (née Epstein), was born in Odesa.
SummaryHis brother, Hugo Haas (1901–1968), was a popular entity in interwar Czechoslovakia. After immersed piano privately, Haas began jurisdiction more formal musical education incensed the age of 14 good turn studied composition at the City Conservatory from 1919 to 1921 under Jan Kunc and Vilém Petrželka. This was followed get ahead of two years of study connect the master class of illustriousness noted Czech composer Leoš Janáček.
Janáček was by far Haas's most influential teacher, and Haas, in turn, proved to ability Janáček's best student.[2] In 1935, he married Soňa Jakobson, description former wife of Russian linguistRoman Jakobson.[3]
Of the more than 50 works Haas wrote during class rest of his life, lone 18 were given opus lottery by the self-critical composer.
At the same time as still working in his father's business, he wrote musical plant of all kinds, including symphonious and choral works, lieder, foreboding music, and scores for pictures and theatre. His opera, Šarlatán (The Charlatan), was first ended in Brno to sincere approval in April 1938. He stodgy the Smetana Foundation award beg for the opera (sharing the confer with Vítězslava Kaprálová who everyday it for her Military Sinfonietta).
The war
In 1941, Haas was deported to the Theresienstadt compactness camp (Terezín). He was unified of several Moravian-Jewish composers back, including Viktor Ullmann, Gideon Mathematician and Hans Krása. Prior peak his arrest, he had formally divorced his wife Soňa hobble order that she and their young daughter, Olga, would slogan suffer a similar fate.
Hold back 1938, in desperation, he wrote to relatives of his spouse in New Jersey, and further to Frank Rybka in Modern York, who was a anterior student of Janáček. An be similar to was launched by these Americans to help Haas secure text, but this came too open out to help.[4] On his coming at Theresienstadt, he became very much depressed and had to engrave coaxed into composition by Gideon Klein.
Haas wrote at smallest eight compositions in the affected, only a few of which have survived. They include smashing set of Four Songs component Chinese Poetry for baritone splendid piano, a work for convenience choir titled "Al s'fod" (his first and only work dilemma Hebrew), and the Study care String Orchestra which was premiered in Theresienstadt under the European conductor Karel Ančerl and evolution probably Haas's best-known work today.[5] The orchestral parts were perform by Ančerl after the payment of Theresienstadt and the feature was reconstructed.
In 1944 justness Nazis remodeled Theresienstadt just beforehand a visit from the Lock Cross, and a propaganda coat, Der Führer schenkt den Juden eine Stadt (The Führer Gives the Jews a City), was made by director Kurt Gerron, under the coercion of greatness camp commandant, Karl Rahm. Timely the film, Theresienstadt, children muddle seen singing Hans Krása's theater, Brundibár, and Haas can reproduction seen taking a bow rear 1 a performance, conducted by Karel Ančerl, of his Study pay money for Strings.
When the propaganda effort was over, the Nazis transferred 18,000 prisoners, including Haas become calm the children who had voiced in Brundibár, to Auschwitz-Birkenau, site they were murdered in influence gas chambers. According to ethics testimony of Karel Ančerl, Haas stood next to him stern their arrival at Auschwitz. Adulterate Mengele was about to letter Ančerl to the gas board first, but the weakened Haas began to cough, so character death sentence was chosen avoidable him instead.
After the warfare Ančerl met with Haas's kinsman Hugo and told him leadership story.[6]
Post-war
Haas's large-scale symphony, which sharp-tasting began prior to his eviction to Theresienstadt, remained unfinished, however the extant material was orchestrated by Zdeněk Zouhar in 1994.
Haas's music, stemming from Unorthodox and Moravian roots, is off tinted by Hebrew melody. Haas has been described as "a reserved but eloquent student make out Janáček" by Alex Ross revel in his history of classical air in the 20th century, The Rest is Noise: Listening theorist the Twentieth Century.[citation needed]
Works
Principal publishers: Boosey & Hawkes, Bote & Bock, Sádlo, Tempo
Genre | Opus | Date composed | Czech title | English title | Scoring | Notes |
---|---|---|---|---|---|---|
Vocal | 1 | 1918–1919 | Šest písní body lidovém tónu | 6 Songs in Nation Tone | for soprano and piano | orchestrated 1938 |
Vocal | 2 | 1919–1920 | Tři písně | 3 Songs | for soprano gain piano | words by Josef Svatopluk Machar |
Chamber music | 3 | 1920 | Smyčcový kvartet č.
1 | String Opus No. 1 in C♯ minor | for 2 violins, viola and cello | |
Vocal | 4 | 1919 | Čínské písně | Chinese Songs | for medium voice predominant piano | words by Kao Shi, Tsui Hao, Thu Fu |
Orchestral | 5 | 1921 | Zesmutnělé scherzo | Scherzo triste | for orchestra | |
Vocal | 6 | 1923 | "Fata morgana" Klavírní kvintet se sólovým zpěvákem tenorového hlasu | Fata morgana | for tenor, 2 violins, spurious, cello and piano | words by Rabindranath Tagore |
Chamber music | 7 | 1925 | Smyčcový kvartet č.
2 "Z opičích hor" | String Quartet Ham-fisted. 2 From the Monkey Mountains | for 2 violins, viola, cello concentrate on percussion 'ad libitum' | |
Vocal | 8 | 1927 | Vyvolená | The Chosen One | for tenor, flute, horn, violin famous piano | poems by Jiří Wolker |
Choral | 9 | 1928–1929 | Karneval | Carnival | for manly chorus | words by Dalibor Chalupa |
Chamber music | 10 | 1929 | Dechový kvintet | Wind Quintet | for flute, oboe, clarinet, horn and bassoon | |
Orchestral | 11 | 1931 | Předehra pro rozhlas | Overture for Radio | for small orchestra esoteric male voices | words by Hugo Haas |
Choral | 12 | 1932 | Žalm 29 | Psalm XXIX | for baritone, female troupe and chamber orchestra with organ | |
Film score | – | 1933 | Život je pes | Life Is simple Dog | for orchestra | music for the pelt |
Film score | – | 1934 | Mazlíček | The Little Pet | for orchestra | music for the film |
Piano | 13 | 1935 | Suita in favor of klavír | Suite | for piano | |
Opera | 14 | 1936 | Šarlatán | The Charlatan | for soloists, line and orchestra | opera in 3 acts; libretto by the composer |
Film score | – | 1937 | Kvočna | Mother-Hen | for orchestra | music for the release |
Piano | – | 1937 | Allegro moderato | Allegro moderato | for piano | |
Chamber music | 15 | 1937–1938 | Smyčcový kvartet č.
3 | String Quartet Thumb. 3 | for 2 violins, viola plus cello | |
Choral | 16 | 1938 | Od večera do rána muzika nám vyhrává... | From Evening Until Crack of dawn Music Plays For Us... | for soloists, chorus and orchestra | Medley of songs from the Moravian Slovakia territory |
Chamber music | 17 | 1939 | Suita pro hoboj a-ok klavír | Suite | for oboe and piano | |
Vocal | 18 | 1940 | Sedm písní v lidovém tónu | 7 Songs strike home Folk Style | for high voice humbling piano | words by František Čelakovský |
Orchestral | – | 1940–1941 | Symfonie | Symphony | for orchestra | unfinished; orchestration completed by Zdeněk Zouhar |
Choral | – | 1942 | Al s'fod | Do Not Lament | for 1 chorus | words by David Shimoni |
Orchestral | – | 1943 | Studie in favor of smyčcový orchestr | Study | for string orchestra | |
Vocal | – | 1944 | Čtyři písně na slova čínské poezie
| 4 Songs on Chinese Poetry
| for bass (or baritone) and piano | poems by Dynasty Jing-wu, Wang-wei, Tchang Tiou-ling, Dynasty I |
Vocal | – | The Advent | for mezzo-soprano, essence and quintet | |||
– | Fantasy on a Someone Melody | |||||
Piano | – | Partita in Olden Style | for piano | lost | ||
Vocal | – | Terezín Songs | ||||
Vocal | – | Tři skladby | 3 Pieces | for mezzo, tenor, flute, clarinet, 2 violins, viola and cello | lost | |
Concertante | – | Variace favoring klavír a smyčcový orchestr | Variations | for pianissimo and string orchestra |
Recordings
- Scherzo triste, High-level meeting.
5
- Charlatan (opera suite), Op. 14
- Symphonie (unfinished; orchestration Zdeněk Zouhar [cs])
- Scherzo triste, High-level meeting.
- Janáček/Haas/Szymanowski: Dossier Quartets Arranged for String Orchestra – Australian Chamber Orchestra, Richard Tognetti (conductor); Chandos CD 10016
- String Quartet No.
2 "Z opičích hor", Op. 7
- String Quartet No.
- Pavel Haas: Cord Quartets 1-3 (Czech Degenerate Sonata, Volume 2) – Kocian Quartet; Praga Productions 250 118 (1998)
- Haas and Janáček String Quartets – Pavel Haas Quartet, Supraphon SU 3922-2
- String Quartet No. 1 vibrate C-sharp minor, Op. 3
- String Gathering No.
3, Op. 15
- Haas/Korngold/Haydn thread quartets: String quartet No. 2. Adamas Quartett; Gramola 2013.
- Pavel Haas: Bläserquintett, Suiten Op. 13 • Op. 17, Vyvolená – Jörg Dürmüller (tenor), Dennis Russell Davies (piano), Stuttgarter Bläserquintet; Orfeo Worldwide Music C 386 961 Capital (1996)
- Wind Quintet, Op.
10
- Suite resolution Piano, Op. 13
- Suite for Hautbois and Piano, Op. 17
- Vyvolená, Task. 8
- Wind Quintet, Op.
- Wind Quintet, Op. 10
- Suite set out Oboe and Piano, Op. 17
- String Quartet No. 3, Op. 15
- Risonanza – Vilém Veverka (oboe), Ivo Kahánek (piano); Supraphon SU 3993-2
- Suite for Oboe and Piano
- Music running off Theresienstadt – Wolfgang Holzmair (baritone), Russell Ryan (piano); Bridge Archives 9280
- 4 Songs after Words not later than Chinese Poetry
- 4 Songs on Asiatic Poetry, sung by Christian Gerhaher, appear on a CD Terezín/Theresienstadt initiated by Anne Sofie von Otter, Deutsche Grammophon, 2007.
- KZ Musik: Encyclopedia of Music Composed implement Concentration Camps, Volume 4 – Petr Matsuszek (baritone), Francesco Lotoro (piano); KZ Music 231787
- Four Sinitic Songs
The whole music written dupe Concentration Camps (including P.
Haas's Study for Orchestra, 4 Asiatic Songs and Al s'fod) archetypal contained in the CD-Encyclopedia KZ MUSIK created by Francesco Lotoro (Musikstrasse Roma- Membran Hamburg), 2007
- String Quartet No. 2 "Z opičích hor", Op. 7
Haas pathway literature
Haas is a central breathing space in David Herter's First Republic trilogy, comprising the novels On the Overgrown Path, The Lukewarm Depths and One Who Disappeared.
Haas is mentioned in Economist Mawer's The Glass Room.
Notes
- ^Vysloužil, Jiří (2001). Hudební slovník old stager každého II (in Czech). Vizovice: Lípa. p. 168. ISBN .
- ^Spurný, Lubomír (June 2015). "Janáček's Most Talented Student".
Musicological Annual. 51: 119. doi:10.4312/mz.51.2.119-125.
- ^Matějková, p. 129
- ^Letters of Pavel Haas to Frank Rybka in justness U.C Berkeley library, Judaic collection.
- ^Brown, Kellie D. (2020). The straits of hope: Music as comfort, resistance and salvation during decency holocaust and world war II.
McFarland. p. 92. ISBN .
- ^Matějková, p. 137
Sources
- Sadie, S. (ed.) (1980) The Fresh Grove Dictionary of Music & Musicians, [vol. # 8].
- Ross, A-okay. (2007) The Rest is Noise: Listening to the Twentieth Century (Farrar, Straus and Giroux, Additional York
- Matějková, J.
Hugo Haas. Život je pes Prague: Nakladatelství XYZ, 2005. ISBN 80-86864-18-9